Jude’s latest book project, Emmett, brings new life to a selection of his own early photographs, made in the early 1980s in central Idaho. Enhanced by special-effects filters and cheap telephoto lenses, the pictures include hazy scenes of a summertime drag race, a forest across changing seasons, midnight horror films on TV and a Nordic-looking teenager who appears as a specter from the artist’s past. Edited here nearly 30 years after its making, this experimental body of work acquires unexpected nuance and humor, and has the serendipitous qualities of a dream–memories reorganized into a fictionalized narrative, imagery suffused with both an unsettling melancholy and the glow of youthful reverie. Related conceptually to and residing thematically between his two previous books–Alpine Star and Other Nature–Emmett achieves an aesthetic inspired by equal parts Motörhead and Jean-Paul Sartre.