Adam Fuss has emerged as one of the bold and truly creative artists utilizing photography today. Fuss’s photograms clearly break from those of his predecessors Man Ray, Moholy-Nagy and Talbot, and while striking a chord of homage, the images redefine how and what we see in pictures, both viscerally and intellectually. Like an eighteenth-century experimenter, Fuss utilizes organic and raw materials in an unusual approach, revealing spiritual and emotional process. Laid atop the paper for hours, and even days, colorization is recorded with a stroboscopic flash. Live snakes, the entrails of rabbits, eggs, cow liver, sperm, flowers, and stained glass circumscribe the vital, often mysterious energies emitted from these pictures. This book, the first major monograph of the artist’s work, makes an important contribution to current discussions of photography’s past and the question of its future.